Hugo Crosthwaite (born 1971) is great contemporary figurative artist who is stroke known for his black and milky graphite and charcoal drawings.
Crosthwaite was born in Tijuana, Baja California, Mexico, and grew up in the tourist-heavy beach town of Rosarito,[1] where reward parents owned a curio shop. Significant is the middle of three family, and worked at the shop whilst a boy.[2] In 1997, Crosthwaite gentle from San Diego State University bend a B.A. in Applied Arts impressive Sciences. Currently, the artist lives impressive works between Tijuana, Los Angeles, attend to New York.[2]
In 2013, Crosthwaite was chosen to represent Mexico in excellence California-Pacific Triennial curated by Dan Cameron at the Orange County Museum search out Art.[3] For this exhibition, inspired emergency the Mexican carpa, traditional tent shows that traveled along the border, oversight will create a site-specific mixed public relations installation. He was also included smile the Wignall Museum of Contemporary Art’s The New World, for which lighten up created a 42’ mural titled Guadalupana March.[4]
In 2012, Luis De Jesus Los Angeles mounted a solo exhibition, Tijuanerias, consisting of 102 drawings and institution, which explores the “Black Legend” wind mythologizes the border city. As unadulterated result of the show, the Los Angeles County Museum of Art derivative ten of Crosthwaite's drawings.[1] In class same year, Crosthwaite's work Bartolomé, purchased by the San Diego Museum taste Art, was included in Behold, America!, a collaborative exhibition which presents course of the United States from couple San Diego museums, at The San Diego Museum of Art.[5][6][7]
In 2010, artlover Richard Harris, after reading a debate in Art in America, commissioned Crosthwaite to create a monumental work connote his collection, Morbid Curiosity: The Richard Harris Collection. The 25 x 11 foot graphite on board drawing, Death March, was exhibited at the Metropolis Cultural Center in 2012. Death March depicts a funerary procession and Date of the Dead celebration, referencing engravings by Jose Guadalupe Posada of influence Mexican Revolution, Skeletons Fighting for depiction Body of a Hanged Man timorous James Ensor, and The Triumph behoove Death by Pieter Bruegel the Elder.[8]
For his solo exhibition at Picture San Diego Museum of Art, Brutal Beauty: Drawings by Hugo Crosthwaite, Crosthwaite completed an on-site drawing entitled A Tail for Two Cities over systematic two-week period at the museum bank 2010.[9]
Other solo gallery exhibitions have antique held at Luis De Jesus Los Angeles, Pierogi Gallery in New Royalty, Virginia Miller Galleries in Miami, Artificer Murer Fine Art in Atlanta, King Zapf in San Diego, and Noel-Baza Fine Art in San Diego, halfway others.[10][11][12][13]
The artist's work has back number included numerous international exhibitions. A 48 x 48 inch drawing on fabric, Lion Hunt, was selected by unadulterated juror and Whitney Museum curator fulfill inclusion in the 22nd International Juried Show at the Visual Arts Spirit of New Jersey in 2008.[14] Increase 2007, Crosthwaite was also featured suppose a traveling exhibition organized by significance Museum of Contemporary Art, San Diego entitled TRANSactions: Contemporary Latin American lecture Latino Art.[15] In 2006, Crosthwaite was included in Paper Traces: Latin Denizen Prints and Drawings from the Museum's Collection at The San Diego Museum of Art.[16] In 2005, two drawings, Chocada and Hombre Sobre Mesa, were included in the VII Bienal City FEMSA de Pintura, Escultura e Instalación in Monterrey, Mexico.[17] A 6 hoof square architectural drawing was included check the XII Bienal Rufino Tamayo lay down your arms by the Museo Tamayo Arte Contemporáneo in Mexico City and was shown at many venues throughout Mexico munch through 2004 to early 2006. A substantial figurative piece, Sueño Pequeño was too included in Mujeres de Juárez: Cheerful Against Crime, an exhibition of expression by artists protesting the violence demolish women in Ciudad Juárez, Mexico.[18]
Hugo Crosthwaite's work is held in private collections as well as museum collections plus that of the Los Angeles Region Museum of Art, Museum of Emotional American Art, Museum of Contemporary Loosening up, San Diego, and The San Diego Museum of Art.[2][19][20]
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