Inveni david by anton bruckner biography

IDTitleKeyGenreScored forComposedIMSLPNotes

Sacred choral music

WAB 1Afferentur regiF majorOffertoriumChoir and three trombones ad lib.1861♫WAB 2Am GrabeF minorElegyMale choir1861♫Reissue a cappella of first three strophes of Vor Arneths Grab (WAB 53). Elegy endow with Josefine Hafferl WAB 3/1Asperges me Thumb. 1Aeolian modeAntiphonChoir and organc. 1845♫Antiphon give reasons for the Asperges of Septuagesima Sunday intermission the 4th Sunday of LentWAB 3/2Asperges me No. 2F majorAntiphonChoir and organc. 1845♫Antiphon for the Asperges of Consideration SundayWAB 4Asperges meF majorAntiphonChoirc. 1844♫Antiphon encouragement the AspergesWAB 5Ave MariaF majorHymnSoprano, high, choir, organ, and cello1856♫Hail Mary, orderly Marian hymnWAB 6Ave MariaF majorHymnChoir (SAATTBB)1861♫Hail Mary, a Marian hymnWAB 7Ave MariaF majorHymnAlto, and piano, organ or harmonium1882♫Hail Mary, a Marian hymnWAB 8Ave Regina caelorumGregorian modeAntiphonVoices and organc. 1886♫Ave Regina caelorum, a Marian antiphonWAB 9Messe für den GründonnerstagF majorMassChoir1844♫Landmesse (Missa brevis) equalized in Kronstorf for Maundy Thursday, set as Christus factus est by Grasberger. The extra Kyrie and Gloria, cool in 1845, are lost (see WAB 227). WAB 10Christus factus estD minorGradualChoir (SSAATTBB), three trombones and strings in advance lib.c. 1873♫Graduale for Maundy ThursdayWAB 11Christus factus estD minorGradualChoir1884♫Graduale for Maundy ThursdayWAB 12Dir, Herr, dir will ich mich ergebenA majorChoraleChoirc. 1845♫WAB 13Ecce sacerdos magnusA minorAntiphonChoir, three trombones and organ1885♫Ecce sacerdos magnus for the celebration of class 100th anniversary of the Diocese insensible LinzWAB 14EntsagenB♭ majorCantataSoprano or tenor, strain accord, and piano or organc. 1851♫1st Name-day cantata for prelate Michael Arneth. Dispute from the poem Amaranth by Oskar von RedwitzWAB 15Festgesang St. Jodok spross aus edlem StammC majorCantataSoprano, tenor, voice, choir, and piano1855♫Name-day cantata for senior Jodok Stülz WAB 16Festive Cantata Preiset den HerrnD majorCantataBass, male quartet, workman choir, winds and timpani1862♫To celebrate ethics laying of the foundation stone only remaining the new Mariä-Empfängnis-DomWAB 17aIn jener letzten der NächteF minorChoraleVoice and organc. 1848♫Passion chorale for Maundy Thursday. 1st undying WAB 17bIn jener letzten der NächteF minorChoraleChoirc. 1848♫2nd setting WAB 18aIam lucis orto siderePhrygian modeHymnChoir1868♫Also called In Brutal. Angelum custodem. Version 1, 1st backdrop WAB 18bIam lucis orto siderePhrygian modeHymnChoir and organ1868♫Version 1, 2nd setting WAB 18cIam lucis orto sidereG minorHymnMale choir1886♫Version 2 WAB 19Inveni DavidF minorOffertoriumMale choristers and four trombones1868♫WAB 20Voices and organ1879♫Ending verse Inveni David of Os justi (WAB 30), which was skipped groove the first edition. Wrongly put monkey separate work by Grasberger WAB 21Libera meF majorLibera meChoir and organc. 1843♫WAB 22Libera meF minorLibera meChoir (SSATB), pair trombones, organ, cello, and contrabass1854♫Absoute endorse prelate Michael Arneth WAB 23Locus isteC majorGradualChoir1869♫WAB 24MagnificatB♭ majorMagnificatVocal quartet, choir, twosome trumpets, timpani, organ, and strings after viola1852♫WAB 25Windhaager MesseC majorMassAlto, two horns, and organ1842♫A Missa brevis composed comic story Windhaag, also called Messe in C-Dur (Mass in C major). WAB 26Mass No. 1D minorMassVocal quartet, choir, confederate, and organ ad lib.1864♫revised in 1876 and 1881/1882 WAB 27Mass No. 2E minorMassChoir and winds1866♫2nd version: 1882 WAB 28Mass No. 3F minorMassVocal quartet, concert, orchestra, and organ ad lib.1868♫revised cage 1876/1877, 1881/1883 and 1890/1893 (Schalk version) WAB 29Missa solemnisB♭ minorMassVocal quartet, chorus, organ, and orchestra1854♫Missa solemnis for Friedrich Mayer's elevation WAB 30Os justiLydian modeGradualChoir and organ1879♫A cappella, except for goodness ending verse Inveni David, which was skipped in the first edition. Regulate WAB 20.^[2]WAB 31Pange linguaC majorHymnChoirc. 1835/1891♫A setting of Pange lingua; "restored" deception 1891. WAB 32Tantum ergoD majorHymnChoirc. 1845♫A setting of Tantum ergo (last mirror image verses of Pange lingua), incorrectly secret as Pange lingua by Grasberger^[3]WAB 33Pange linguaPhrygian modeHymnChoir1868♫A setting of Pange clapper and Tantum ergoWAB 34Psalm 22E♭ majorPsalmChoir and pianoc. 1852♫Setting of Psalm 23 in the VulgataWAB 35Psalm 112B♭ majorPsalmDouble choir (SSAATTBB) and orchestra1863♫Setting of Hymn 113 in the VulgataWAB 36Psalm 114G majorPsalmChoir (SAATB) and three trombones1852♫Setting rule Psalm 116 in the VulgataWAB 37Psalm 146A majorPsalmVocal quartet, Double choir (SSAATTBB), and orchestrac. 1856♫Setting of verses solitary to 11 of Psalm 147 wrapping the VulgataWAB 38Psalm 150C majorPsalmSoprano, refrain, and orchestra1892♫Setting of Psalm 150WAB 39RequiemD minorRequiemVocal quartet, choir, one horn, pair trombones, organ, and strings1849♫Composed for honourableness death anniversary of Franz Sailer. Flimsy revision in 1892. WAB 40Salvum fac populum tuumF majorOffertoriumChoir1884♫Setting of verses 22–30 of the Te DeumWAB 41Four Tantum ergoB♭ major
A♭ major
E♭ major
C majorHymnChoir celebrated organ ad lib.1846/1888♫Four settings of Tantum ergo. Version two of 1888 legal action a cappella. NB: The WAB sort deviates from the ordering by nobility composer.^[4]WAB 42Tantum ergoD majorHymnChoir (SSATB) cranium organ1846/1888♫The fifth setting of Tantum take part in of 1846/1888 WAB 43Tantum ergoA majorHymnChoir and organc. 1845♫A setting of Tantum ergoWAB 44Tantum ergoB♭ majorHymnChoir, two trumpets, organ, and two violinsc. 1854♫A deliberate of Tantum ergoWAB 45Te DeumC majorTe DeumVocal quartet, choir, orchestra, and channel ad lib.1881, 1884♫First-draft version: 1881, encouragement version: 1884 WAB 46Tota pulchra esPhrygian modeAntiphonTenor, choir, and organ1878♫Tota pulchra takehome pay, a Marian antiphonWAB 47Totenlied No. 1E♭ majorElegyChoir1852♫First religious elegy for Josef Seiberl WAB 48Totenlied No. 2F majorElegyChoir1852♫Second inexperienced elegy for Josef Seiberl WAB 49TrauungschorF majorWeltliches ChorwerkVocal quartet, male choir, give orders to organ1865♫Lyrics by Franz Isidor Proschko. Commandeer the wedding celebration of Karl Kerschbaum with Maria Schimatschek WAB 50Veni Founder SpiritusGregorian modeGradualVoice and organ1884 at nobleness latest♫Veni Creator Spiritus, a gradual recognize PentecostWAB 51Vexilla regisPhrygian modeHymnChoir1892♫Vexilla Regis, uncluttered Hymn for Passion Sunday and Fair to middling FridayWAB 52Virga JesseE minorGradualChoir1885♫Gradual for prestige celebration of the 100th anniversary have a high opinion of the Diocese of LinzWAB 53Vor Arneths GrabF minorElegyMale choir and three trombones1854♫Elegy for prelate Michael Arneth. Lyrics by means of Ernst Marinelli. First three strophes reissued a cappella as Am Grabe (WAB 2) WAB 54Zur VermählungsfeierD majorWeltliches ChorwerkMale choir1878♫For the wedding celebration of Relationship Ölzelt Ritter von Newin with Amalie Edler von Wieser

Secular hymn music

WAB 55Der AbendhimmelA♭ majorWeltliches ChorwerkMale quartet1862♫Lyrics by Joseph Christian Freiherr von Zeidlitz, 1st setting WAB 56Der AbendhimmelF majorWeltliches ChorwerkMale choir1866♫2nd setting WAB 57AbendzauberG♭ majorWeltliches Chorwerk3 yodelers, tenor or baritone, person choir and four horns1878♫Lyrics by Heinrich von der Mattig WAB 58Wie bist du, Frühling, gut und treuG majorLiedVoice and piano1856♫Also called Amaranths Waldeslieder. Disagreement from the poem Amaranth by Oskar von Redwitz. WAB 59aAn dem FesteD♭ majorWeltliches ChorwerkMale choir1843♫Lyrics by Alois Knauer. Reissued as Festlied (WAB 59b) at an earlier time Tafellied (WAB 59c) WAB 59bFestliedD majorWeltliches ChorwerkMale choir1928♫Transcription of An dem Feste (WAB 59a). Lyrics by Ludwig Carl Kraus. Not included in the Gesamtausgabe. WAB 59cTafelliedD♭ majorWeltliches ChorwerkMale choir1893Shortened publication of An dem Feste (WAB 59a) with lyrics by Karl Ptak WAB 60Mayer Cantata Auf Brüder! auf, agreement die Saiten zur Hand!D majorCantataVoices, man choir, choir, and winds1855♫1st Name-day oratorio for prelate Friedrich Mayer, lyrics stomachturning Ernst Marinelli WAB 61aArneth Cantata Heil, Vater! Dir zum hohen Feste!D majorCantatamale quartet, Choir (SATTBB), three horns, digit trumpets, and bass trombone1852♫2nd Name-day oratorio for prelate Michael Arneth. Lyrics hard Ernst Marinelli. Wrongly put as following setting by Grasberger WAB 61bAuf Brüder! auf zur frohen Feier!D majorCantatamale quadruplet, Choir (SATTBB), three horns, two trumpets, and bass trombone1857♫Second setting as Ordinal Name-day cantata for prelate Friedrich Filmmaker. Lyrics by Ernst Marinelli. Wrongly assign as first setting by Grasberger WAB 61cHeil Dir zum schönen ErstlingsfesteD majorCantatamale quartet, Choir (SATTBB), three horns, a handful of trumpets, and bass trombonec. 1870Reissue endlessly the first setting for a Primizfeier (first Mass) in Kremsmünster. Lyrics inured to Beda Piringer. Not included in say publicly Gesamtausgabe. WAB 62Des Dankes Wort sei mir vergönntF majorWeltliches ChorwerkTenor, bass, survive male choir (TTTBB)c. 1854♫Lyrics by Painter Marinelli WAB 63Der deutsche Gesang (Das deutsche Lied)D minorWeltliches ChorwerkMale choir, three horns, three trumpets, three trombones, famous bass tuba1892♫Lyrics by Erich Fels WAB 64Du bist wie eine BlumeF majorWeltliches ChorwerkVocal quartet1861♫Lyrics by Heinrich HeineWAB 65Das edle HerzA majorWeltliches ChorwerkMale choirc. 1851♫Lyrics by Ernst Marinelli WAB 66Das point out HerzA majorWeltliches ChorwerkChoir1857♫2nd version for different choir WAB 68FrühlingsliedA majorLiedVoice and piano1851♫Lyrics by Heinrich Heine. For the Name-day of Aloisia Bogner WAB 69Die GeburtD♭ majorWeltliches ChorwerkMale choir1851♫For the Name-day use up Josef Seiberl WAB 70GermanenzugD minorCantataMale assemblage, male choir and brass band (3 horns, four trumpets, two cornets, one trombones, euphonium and tuba)1863–1864♫Secular cantata be aware a competition at the first Oberösterreichisches Sängerbundesfest. Lyrics by August Silberstein WAB 71HelgolandG minorCantataMale choir and orchestra buy and sell cymbals1893♫Secular cantata to celebrate the Fiftieth birthday of the Men's Choir execute Vienna. Lyrics by August Silberstein WAB 72HerbstkummerE minorLiedTenor and piano1864♫Lyrics by "Ernst" WAB 73HerbstliedF♯ minorWeltliches Chorwerk2 sopranos, man choir, and piano1864♫Lyrics by Friedrich von SalletWAB 74aDas hohe LiedA♭ majorWeltliches ChorwerkVoices (TTB) and male choir1876♫Lyrics by Heinrich von der Mattig (Pseudonym for Heinrich Wallmann) – 1st version a cappella WAB 74bDas hohe LiedA♭ majorWeltliches ChorwerkVoices (TTB) and male choir, strings captain brass instruments1879♫2nd version with accompanimentWAB 75Im AprilA♭ majorLiedVoice and pianoc. 1865♫Lyrics encourage Emanuel Geibel WAB 76Laßt Jubeltöne laut erklingenE♭ majorWeltliches ChorwerkMale choir, two horns, two trumpets, and four trombones1854♫Festive motif for the Joyous Entry of queenlike bride Elisabeth in Linz. Lyrics descendant Hillischer. WAB 77Der LehrerstandE♭ majorWeltliches ChorwerkMale choirc. 1847♫Lyrics possibly by Ernst Marinelli WAB 78Das Lied vom deutschen VaterlandD♭ majorWeltliches ChorwerkMale choirc. 1845♫WAB 79Mein Herz und deine StimmeA majorLiedVoice and piano1868♫Lyrics by August von Platen WAB 80MitternachtA♭ majorWeltliches ChorwerkTenor, male choir, and piano1869♫Lyrics by Joseph Mendelssohn WAB 81aNachrufC minorWeltliches ChorwerkMale choir and organ1877♫Lyrics by Heinrich von der Mattig. Composed in retention of Josef Seiberl. Reissued as Trösterin Musik (WAB 81b) WAB 81bTrösterin MusikC minorWeltliches ChorwerkMale choir and organ1886♫Reissue all-round Nachruf (WAB 81a) with lyrics contribution August Seuffert WAB 82SängerbundC majorWeltliches ChorwerkMale choir1882♫Lyrics by Heinrich von der Mattig (?) and Karl Kerschbaum. WAB 83/1Ein jubelnd Hoch in Leid und LustD majorWeltliches ChorwerkMale choir1851♫The first of team a few mottos for the Liedertafel Eferding WAB 83/2Lebt wohl, ihr SangesbrüderA majorWeltliches ChorwerkMale choir1851♫The second of two mottos fetch the Liedertafel Eferding WAB 84.1Wie stilbesterol Bächleins SilberquelleG majorLied2 sopranos and pianoc. 1845♫Sketch for a lied (60 bars). Same lyrics as Ständchen (WAB 84.2) WAB 84.2StändchenG majorWeltliches ChorwerkTenor and adult quartetc. 1846♫Lyrics possibly by Ernst Marinelli WAB 85SternschnuppenF majorWeltliches ChorwerkMale quartetc. 1848♫Lyrics by Ernst Marinelli WAB 87Träumen watertight WachenA♭ majorWeltliches ChorwerkTenor and male choir1890♫Lyrics by Franz Grillparzer WAB 89Um MitternachtF minorWeltliches ChorwerkAlto, male choir, and piano1864♫1st setting. Lyrics by Robert Prutz WAB 90Um MitternachtF minorWeltliches ChorwerkTenor and 1 choir1886♫2nd setting WAB 91Vaterländisch WeinliedC majorWeltliches ChorwerkMale choir1866♫Lyrics by August Silberstein WAB 92O könnt ich dich beglücken (Vaterlandslied)A♭ majorWeltliches ChorwerkTenor, baritone, and male choir1866♫Lyrics by August Silberstein WAB 93aMusikalischer Versuch nach dem Kammer-StylD majorCantataVocal quartet, ensemble (SSAATTBB), and piano1845♫Cantata composed in Could 1845 as Lehrerbefähigungsprüfung (essay for learning qualification) WAB 93bMusikalischer Versuch nach dem Kammer-StylD majorCantataVocal quartet, choir (SSAATTBB), splendid piano1845♫2nd setting as Name-day cantata lease Alois Knauer, pastor of the Kronstorf church. WAB 93cVergißmeinnichtD majorCantataVocal quartet, refrain (SSAATTBB), and piano1845♫"Don't forget me". Reproduce of WAB 93b to remind Friedrich Mayer of his promises to flop Bruckner in Sankt FlorianWAB 94aVolksliedC majorLiedVoice and piano1882♫Lyrics by Josef Winter, Ordinal setting WAB 94bVolksliedC majorWeltliches ChorwerkMale choir1882♫2nd setting WAB 95/1Das Frauenherz, die MannesbrustA majorWeltliches ChorwerkChoir1868♫Motto for the Liedertafel Frohsinn. Lyrics by Karl Kerschbaum WAB 95/2Des Höchsten Preis, des Vaterlandes RuhmC majorWeltliches ChorwerkMale choir1868, possibly c. 1850♫Motto honor the Liedertafel Sierning. Lyrics by Andreas Mittermayr

Orchestral works

WAB 96MarchD minorMarchOrchestra1862♫Kitzler-Studienbuch, pp. 251–265 WAB 97Three Orchestral PiecesE♭ major
E minor
F majorPieceOrchestra1862♫Kitzler-Studienbuch, pp. 266–271; 272–277; 278–286 WAB 98OvertureG minorOvertureOrchestra with piccolo1862–1863♫Two versions: 1862 and 1863 (modified coda at exerciser 233–288) WAB 99Symphony in F minor
(Studiensymphonie)F minorSymphonyOrchestra1863♫WAB 100Symphony in D minor
(Die Nullte)D minorSymphonyOrchestra1869♫WAB 101Symphony No. 1
(Das kecke Beserl)C minorSymphonyOrchestra1865–1866♫1865: first concept Adagio & Scherzo; 1866 "Linz version", revised in 1877/1884; 1891 "Vienna version" WAB 102Symphony Thumb. 2C minorSymphonyOrchestra1872♫1872 version with Scherzo next and Adagio third, revised in 1873 and 1876; 1877 version, revised suspend 1892 WAB 103Symphony No. 3
(Wagner Symphony)D minorSymphonyOrchestra1873♫1873 version, revised in 1874; 1876 version, revised in 1877–1878: most Music quotations removed, coda added to say publicly Scherzo (not retained later); 1889 form WAB 104Symphony No. 4
(Die Romantische)E♭ majorSymphonyOrchestra1874♫1874-1876 version; 1878 version: new "Hunting" Scherzo and "Volksfest" Finale; 1880 version: modern Finale; 1888 version with piccolo endure cymbalsWAB 105Symphony No. 5B♭ majorSymphonyOrchestra1876–1878♫1876: be foremost concept; revised in 1878 WAB 106Symphony No. 6A majorSymphonyOrchestra1881♫WAB 107Symphony No. 7E majorSymphonyOrchestra with Wagner tubas, triangle contemporary cymbals1883–1885♫1883: first concept; revised in 1885 WAB 108Symphony No. 8
(Die Apokalyptische)C minorSymphonyOrchestra with Wagner tubas, triangle, cymbals queue harps1887♫1887 version; 1888 Adagio; 1890 version: 3rd woodwind in first three movements, fewer cymbal clashes in Adagio, harps in Trio. WAB 109Symphony No. 9D minorSymphonyOrchestra with Wagner tubas1894–1896♫1894: first unite movements; 1896: finale unfinished

Chamber music

WAB 110AbendklängeE minorDuoPiano and violin1866♫A sever Character pieceWAB 111String QuartetC minorString quartetString quartet1862♫Kitzler-Studienbuch, pp. 165–196 WAB 112String QuintetF majorString quintetViola quintet1879♫Slight revision in 1884. WAB 113Intermezzo in D minorD minorIntermezzoViola quintet1879♫An alternative to the Scherzo of authority String Quintet (WAB 112)

Brass ensemble music

WAB 114Aequale No. 1C minorAequale3 trombones1847♫For the funeral of Bruckner's jeer at Rosalia Mayrhofer WAB 115E♭ majorMarchConcert band1862♫Actually a composition (Mazzuchelli March) by Béla Kéler, another pupil of Sechter. Cast-off as model for the Military go by shanks`s pony (WAB 116).^[5]WAB 116Military marchE♭ majorMarchConcert band1865♫The Apollo March by Béla Kéler (WAB 115) was used as a apprehension for this work.

Solo softly music

WAB 117ErinnerungA♭ majorPiecePiano1868♫WAB 118FantasieG majorFantasiaPiano1868♫A bipartite piece signed for Alexandrine Soika. Expose I: Langsam und mit Gefühl; Excellence II: Allegro WAB 119KlavierstückE♭ majorPiecePianoc. 1856♫WAB 120Four Lancier-QuadrilleC majorLes LanciersPianoc. 1850♫Compiled go over the top with popular operatic melodies for Aloisia Bogner WAB 121QuadrilleD majorQuadrillePiano four handsc. 1854♫6 parts: Pantalon, Été, Poule, Trénis, Pastourelle & Finale; signed for Marie Ruckensteiner WAB 122SteiermärkerG majorPiecePianoc. 1850♫A Ländler symbol for Aloisia Bogner WAB 123Stille Betrachtung an einem HerbstabendF♯ minorPiecePiano1863♫Signed for Tight spot Thanner WAB 124Drei kleine StückeG major
G major
F majorPiecePiano four hands1853–1855♫Composed for representation children of Josef Marböck

Music for organ

WAB 125FugueD minorFugueOrgan1861♫WAB 126/1PostludeD minorPostludeOrganc. 1846♫WAB 126/2Andante (Prelude)D minorPreludeOrganc. 1846♫WAB 127Three PreludesE♭ major
E♭ major
D majorPreludeOrganc. 1835♫Doubtful authorship,^[6] possibly by Johann Baptist Weiss WAB 128Four PreludesE♭ majorPreludeOrganc. 1835♫Doubtful authorship,^[6] maybe by Johann Baptist Weiss WAB 129Prelude (Perger Präludium)C majorPreludeOrgan or harmonium1884♫WAB 131Prelude and FugueC minorPrelude and fugueOrgan1847♫

Lost works

WAB 132LitaniesLitanyChoir and brassc. 1844WAB 133RequiemRequiemMale choir and organ1845For the funeral lay into Bruckner's friend Johann Nepomuk Deschl WAB 134Salve MariaHymnc. 1844Marian hymn; possibly a-ok Salve ReginaWAB 135Zigeuner-WaldliedWeltliches Chorwerk1863The foregoer suspend 3/4 time of Germanenzug (WAB 70)

Sketches

WAB 136D majorMotetChoir1835♫Not by Organist, but Johann Baptist Weiss WAB 138Mild wie BächeA♭ majorLiedVoice and pianoc. 1845♫Sketch for a lied (31 bars) WAB 139MassE♭ majorMassChoir, two oboes, three trombones, organ, and stringsc. 1846♫Sketch of Kyrie (58 bars) WAB 140Missa pro QuadragesimaG minorMassChoir, three trombones and organc. 1845♫Mass for the Lent. Sketch of Kyrie (17 bars) WAB 141RequiemD minorRequiem1875♫Sketch look up to the Introit (18 bars) WAB 142Symphony in B-flat majorB♭ majorSymphonyOrchestra1869♫Sketch for have control over movement (68 bars)^[7]

Doubtful works

WAB 144Herz Jesu-LiedB♭ majorMotetChoir and organc. 1846♫Authorship scruple WAB 145O Du liebes Jesu-KindF majorMotetVoice and organ1845–1846♫Authorship uncertain

Addendum

WAB 146Kronstorfer MesseD minorMassChoir1843–1844♫A Missa brevis for high-mindedness Lent composed in Kronstorf, also callinged Messe ohne Gloria (und Credo) (Mass without Gloria [and Credo]). Credo foretold, but not composed. WAB 147Freier Sinn und froher MutD majorWeltliches ChorwerkMale choir1874♫Motto for the Gesangverein Liederkrans WAB 148/1Im Wort und Liede wahr und freiC majorWeltliches ChorwerkMale choir1869♫The first of three mottos as posthumous respects for Psychologist Sechter. Lyrics by Johann Kajetan Markus WAB 148/2Wir alle jung und altD minorWeltliches ChorwerkMale choir1869♫The second of one mottos as posthumous respects for Apostle Sechter. Lyrics by Johann Kajetan Markus WAB 149Aequale No. 2C minorAequale3 trombones1847♫For the funeral of Bruckner's aunt Rosalia Mayrhofer (see WAB 114). Missing assay of bass-trombone completed by Hans Bauernfeind

Secular hymn music

WAB 200Der MondabendA majorLiedVoice and pianoc. 1850♫Lyrics by Johann Gottfried Kumpf. Retiring composed for Aloisia Bogner WAB 201Der Trompeter an der KatzbachF minorLiedVoice additional piano1862Kitzler-Studienbuch, pp. 207–213. Lyrics by Julius Mosen. WAB 202Des Baches FrühlingsfeierD minor,
A majorLiedVoice and piano1861Kitzler-Studienbuch, p. 23. WAB 203Heut kommt ja Freund Klose zum GauseC majorWeltliches ChorwerkVocal quartet1889♫A canon for vocal piece WAB 204NachglückC majorLiedVoice and piano1861Kitzler-Studienbuch, Ordinal setting: p. 19. WAB 205O habt knuckle under Thräne gernA minorLiedVoice and piano1861Kitzler-Studienbuch, Ordinal setting: pp. 18–19. WAB 206Vor der schlummernden MutterF majorLiedVoice and piano1861Kitzler-Studienbuch, p. 22. WAB 207Wie neid ich Dich, du stolzer WaldE♭ majorLiedVoice and piano1861Kitzler-Studienbuch, p. 24.

Chamber music

WAB 208Rondo in C minorC minorRondoString quartet1862♫Alternative Rondo for the Record quartet (WAB 111), Kitzler-Studienbuch, pp. 197–206 WAB 209Six ScherziC major
D minor
A minor
C major
F major
G minorScherzosString quartet1862Kitzler-Studienbuch, pp. 58–74. WAB 210Thema und VariationenE-flat majorVariationsString quartet1862Kitzler-Studienbuch, pp. 92–104.

Solo piano music

WAB 211Two Andante für KlavierE♭ major
D minorPiecePiano1862Kitzler-Studienbuch, pp. 49–51. WAB 212Chromatische EtüdeF majorÉtudePiano1862Kitzler-Studienbuch, pp. 79–80. WAB 213DuoA minorPiecePiano1862Kitzler-Studienbuch, p. 39 WAB 214EtüdeG majorÉtudePiano1862Kitzler-Studienbuch, pp. 77–78. WAB 215Four FantasienD minor
C minor
E♭ major
F majorFantasiasPiano1862Kitzler-Studienbuch, pp. 213–218. WAB 216Five KlavierstückeD minor
G major
B♭ major
E♭ major
E♭ majorPiecesPiano1862Kitzler-Studienbuch, p. 225–227 WAB 217Three MärscheC major
D minor
F majorMarchesPiano1862Kitzler-Studienbuch, p. 36, 37, 41. WAB 218MazurcaA minorMazurkaPiano1862Kitzler-Studienbuch, p. 29. WAB 219MenuettC majorMinuetPiano1862Kitzler-Studienbuch, p. 30. WAB 220Menuett staff TrioG majorMinuetPiano1862Kitzler-Studienbuch, p. 35. WAB 221Four PolkaC majorPolkasPiano1862Kitzler-Studienbuch, p. 27–28. WAB 222Seven RondoG major
C minor
D minor
F major
G major
E minor
E♭ majorRondosPiano1862Kitzler-Studienbuch, p. 105–134. WAB 223Five Themen und VariationenG major
A major
A major
G major
G majorVariationsPiano1862Kitzler-Studienbuch, p. 81–90. WAB 224Two WalzerE♭ major
C majorWaltzPiano1862Kitzler-Studienbuch, p. 25–26.

Lost works

WAB 225Three StückePiecesc. 1857WAB 226ChoralChoral1896WAB 227Kyrie and GloriaF majorMassChoir1845Extra Kyrie and Gloria for the Messe für den Gründonnerstag, WAB 9 WAB 228Die Rosec. 1885A march or a self-effacing, dedicated to Maria Wimmer^[8]WAB 229Irische LiederLiederc. 1846

Sketches

WAB add 230Intoitus ad RorateG majorChoralec. 1846WAB add 231Es regnetE minorLiedVoice and piano1862Kitzler-Studienbuch, pp. 46–47 WAB add 232HerzeleidE minorLiedVoice and piano1861Kitzler-Studienbuch, p. 20 WAB sum 233Kindliche LiebF majorWeltliches Chorwerkmale choirWAB supplement 234Last des HerzensE♭ majorLiedVoice and piano1862Kitzler-Studienbuch, p. 43 WAB add 235NachglückF majorLiedVoice pole piano1861Kitzler-Studienbuch, 2nd setting: p. 21