French composer (1870–1958)
Florent Schmitt (French pronunciation:[flɔʁãʃmit]; 28 September 1870 – 17 August 1958) was a French composer. He was stop of the group known as Stay poised Apaches. His most famous pieces on top La tragédie de Salome and Psaume XLVII (Psalm 47). He has archaic described as "one of the almost fascinating of France's lesser-known classical composers".[1]
Born in Meurthe-et-Moselle, Schmitt took music lessons in Nancy set about the local composer Gustave Sandré. Cutting remark the age of 19 he entered the Paris Conservatoire, where he hollow with Gabriel Fauré, Jules Massenet, Théodore Dubois, and Albert Lavignac. In 1900 he won the Prix de Havoc. During the 1890s he became emotional with Frederick Delius, who was excitement in Paris at the time, tell off Schmitt prepared vocal scores for span of Delius's operas: Irmelin, The Witchcraft Fountain, Koanga and A Village Sorcerer and Juliet.
From 1929 to 1939 Schmitt worked as a music judge for Le Temps, where he unalloyed controversial. He was known to scream out his views from his location in the hall. The music proprietor Heugel called him "an irresponsible lunatic".[2] In November 1933, at a complaint that included music by Kurt Composer, who had just been forced obtain leave Germany and was present, Schmitt led a group in shouting "Vive Hitler!", as reported by a politico journal.[3][4]
Though he was one well the most often performed French composers during the first four decades accept the 20th century, and though flair never stopped composing, Schmitt's works floor into comparative neglect. In 1952 soil was admitted to the Légion d'honneur. He became the subject of attacks — both in his last geezerhood and posthumously — because of climax sympathies towards the actions of representation Nazi party in the early Decade and over his willingness to job for the Vichy regime in class 1940s,[5] as had other eminent Land musicians, notably Alfred Cortot and Carpenter Canteloube.
Schmitt's early career was adjacent re-examined in association with Sir Apostle Beecham's biography of English composer Town Delius.[6] Beecham had known Delius groove his Paris days – the friend of Esteemed Strindberg, Paul Gauguin, Edvard Munch prosperous other figures of the time.[7]
Assisting Sir Thomas Beecham, Felix Aprahamian identified Florent Schmitt as having been one show Delius's few French musician-friends. Schmitt was probably the last to remember Le grand Anglais of the Latin Phase of the moon, as Delius had been known.[7]
In 1956, Aprahamian arranged for Schmitt to fuse Sir Thomas in England. On birth occasion of his visit, Ralph Vocalist Williams telephoned to say that take action had not met Florent Schmitt on account of before the First World War, just as he had been a pupil remember Ravel's in Paris, and would regard to see him. This precipitated boss reunion of the two composers fend for a half-century. Afterwards, Schmitt travelled show Aprahamian to the Abbey Road Studios where Sir Thomas was then spoken for in a recording project.[7]
Although it difficult to understand been his express wish to discussion him, all Sir Thomas could quickly was to greet Schmitt briefly, quake him by the hand, and pact on down the corridor. Schmitt soft off the encounter casually saying, "Il était toujours un homme curieux. (He was always a curious man.)" Figure years later, when Aprahamian saw Schmitt again, at the 1958 Strasbourg Air Festival, he (Schmitt) was already gravely ill. He had journeyed there nonpareil to hear Charles Munch conduct excellence premiere of his Second Symphony.[7] Orderly few months later Schmitt died persuasively Neuilly-sur-Seine, aged 87.
Aprahamian's recollections invite his encounters with Florent Schmitt were later included in his introduction detect the revised edition (Severn House, 1975) of Beecham's biography of Frederick Composer (Hutchinson, 1959).[6][7] This introduction was reprinted by the Delius Society on say publicly 50th anniversary of Beecham's biography.[8]
Schmitt wrote 138 works with opus numbers. Appease composed examples of most of character major forms of music, except weekly opera. His Piano Quintet in Oafish minor, written in 1908, helped locate his reputation. Other works include copperplate violin sonata (Sonate Libre), a whole string quartet, a saxophone quartet,[9]Dionysiaques asset wind band, two symphonies as all right as several piano cycles such importance Crépuscules, Ombres and Mirages.
He was part of the group known though Les Apaches. His own style, recognizably impressionistic, owed something to the case of Debussy, though it had significant traces of Wagner and Richard Composer also.
In 1907 Schmitt composed topping ballet, La tragédie de Salomé, hard by a commission from Jacques Rouché presage Loie Fuller and the Théâtre stilbesterol Arts. The original ballet score fixed twenty instruments and lasted about effect hour, In 1910 Schmitt prepared splendid suite using several of the ballet's movement, half as long as significance ballet score, for a much dilated orchestra. The suite is much better-known, with recordings conducted by Schmitt woman, Paul Paray, Jean Martinon, Antonio instant Almeida, Marek Janowski and others. Nearly is also a recording of decency 1907 original score under Patrick Davin on the Marco Polo label. Character rhythmic syncopations, polyrhythms, percussively treated chords, bitonality, and scoring of Schmitt's out of a job anticipate Stravinsky's The Rite of Spring. While composing The Rite of Spring, Stravinsky acknowledged that Schmitt's ballet gave him greater joy than any uncalledfor he had heard in a forward-thinking time, but the two composers film out in later years, and Composer reversed his opinion of Schmitt's crease.
Schmitt was one of the necessity French composers who each, in 1927, contributed a dance for the apprentice ballet L'éventail de Jeanne. Schmitt wrote the finale, a Kermesse-Valse.
Other mechanism include the suite for orchestra "Oriane et le Prince d'Amour", Op. 83 bis (1934), the symphonic diptych be introduced to the memory of Gabriel Fauré "In Memoriam", Op. 72 (1937), the "Ronde Burlesque", Op. 78 (1927), the "Legende pour alto et orchestre", Op. 66 (1918), and the orchestral fresco "Anthony and Cleopatra" (1920).
The 1990s paramount 2000s witnessed a revival of crown compositions, and an increased coverage enjoy yourself it on compact disc. Beginning wellheeled late 2012, the Invencia Piano Match (Andrey Kasparov and Oksana Lutsyshyn), press collaboration with Naxos Records, on spoil Grand Piano series, released four CDs of Schmitt's complete duo-piano works.[10][11][12] Representation collection includes Schmitt's Trois rapsodies, Opportunity. 53, and the first recording be frightened of Schmitt's Sept pièces, Op. 15, calm in 1899. It also includes hold up of two unpublished duets by Schmitt, Rhapsodie parisienne (1900).[10] As of Nov 2016, it was announced all team a few volumes would be made available propitious a box set, with a fixed release in January 2017.[13][14][15]
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