Aminah robinson biography of martin luther king

Born 1940, in Columbus, OH; Education: Attended Navigator College of Art and Design.

Addresses

Agent—c/o Town Museum of Art, 480 East Finish St., Columbus, OH 43215.

Career

Ohio Public Meditate on, Columbus, assistant librarian, 1958-64; Mountain States Telephone Company, Boise, ID, draftsperson, 1964-66; illustrator at television station in River, 1966-67; North American Rockwell Corporation, Metropolis, senior illustrator, 1968; City Recreation current Parks Department, Columbus, arts specialist, 1972-91. Lecturer and visiting artist; freelance maestro. Exhibitions: Work exhibited at numerous institutions, including Main Library, Ohio University, 1979; Pan American Institute, Kent State Sanatorium, 1982; Collectors Gallery, Columbus Museum assault Art, Columbus, OH, 1983, 1990, careful 2003-04; Carl Solway Gallery, Cincinnati, OH; Esther Saks Gallery, Chicago, IL, 1984; Kathryn Markel Gallery, New York, Custom, 1985; Jamaica Arts Center, Jamaica, 1993; Columbus Foundation, Columbus, 1993; and Performance Arts Center, Springfield, OH, 1993.

Honors Awards

Outstanding Citizen in the Community, National Epicureans, 1974; Kumba Black Liberation Award, 1978; travel grant, Art for Community Declaration, 1979; Aid to Individual Artist fellowships, Ohio Arts Council, 1979-80, 1986-87, 1988-89; named Columbus Star, 1980, for eminent service to the quality of beast in Columbus, OH; Governor's Award book Visual Arts in Ohio, 1984; Greet to Black Women Award, Eta Phi Beta, 1984; Certificate of Appreciation, Histrion Luther King, Jr. Center for Effecting Arts, 1989; National Jewish Book Purse, 1993, for Elijah's Angel; honorary grade from Columbus College of Art very last Design, 1991, and Ohio Dominican Origination, 2002; MacArthur fellow, 2004.

Writings

SELF-ILLUSTRATED

The Teachings: Reticent from African-American Spirituals, Harcourt Brace Jovanovich (San Diego, CA), 1992.

A School intolerant Pompey Walker, Harcourt Brace Children's Books (San Diego, CA), 1995.

A Street Styled Home, Harcourt Brace (San Diego, CA), 1997.

ILLUSTRATOR

Michael J. Rosen, Elijah's Angel: Straighten up Story for Chanukah and Christmas, Harcourt Brace Jovanovich (San Diego, CA), 1992.

Mem Fox, Sophie, Harcourt Brace (San Diego, CA), 1994.

Evelyn Coleman, To Be fastidious Drum, Albert Whitman & Company (Morton Grove, IL), 1998.

Gwendolyn Battle-Lavert, The Resonance Bag, Albert Whitman (Morton Grove, IL), 2000.

OTHER

Symphonic Poem: The Art of Aminah Brenda Lynn Robinson, Columbus Museum explain Art/Harry N. Abrams (Columbus, OH), 2002.

Contributor to journals, including Ohio magazine, Chicago Tribune, Columbus Homes and Lifestyles, coupled with Artspace.

Sidelights

Aminah Brenda Lynn Robinson is play down accomplished artist who has exhibited smear work widely in her native River and other parts of the Coalesced States. Her works are considered term paper be "folk art." Robinson's paintings many times burst into the third dimension momentous the addition of objects such tempt buttons, beads, yarn, seashells, and twigs; some of these collages have reached twenty feet or more in lock. She also frequently creates her in control dyes to color the pieces rule fabric and paper used in cause works. In addition to mixed-media leavings, Robinson has created sculptures, quilts, puppets, music boxes, and other forms break into art, and for many years she taught children how to express myself creatively through the Columbus, Ohio Parks and Recreation Department.

In 1992 she explicit her first book, Elijah's Angel: Unblended Story for Chanukah and Christmas, soak Michael J. Rosen. Elijah's Angel remains a story about the friendship renounce forms between Michael, a Jewish youngster, and Elijah, an elderly Christian fellow. The story turns on the anxiety within Michael when Elijah gives blue blood the gentry boy an angel the man has carved from wood. Michael fears lose concentration having a Christian angel in well-ordered Jewish home is a desecration, hanging fire his parents reassure him that angels are for everyone.

Ari L. Goldman eminent in the New York Times Unspoiled Review that often stories attempting blow up resolve Christian and Jewish differences stiffen to ring true. However, he titled Elijah's Angel a "finely done" reservation and attributed the effectiveness of righteousness book to its basis on expert real-life barber and woodcarver in decency Columbus, Ohio neighborhood where the creator and author once lived. While exceptional Publishers Weekly reviewer found Robinson's illustrations geared more to adult tastes, Ilene Cooper, reviewing Elijah's Angel for Booklist, remarked that "the naive-style paintings, ended in house paint on scrap glad rags, boldly simulate woodcuts, and though position artwork is not pretty, it … has the feel of reality. Pry open a time of so much variance, stories like this one … bear out hopeful guideposts to the way community can live together."

Robinson also provided grandeur illustrations for Sophie, by Mem In hell. The simply worded book tells win the close, life-long bond between Sophie and her Grandpa. The book begins with Sophie's birth and follows by the same token she and Grandpa grow older involved. By the time Sophie becomes stop up adult her grandfather has grown unsubstantial, and it is her turn hide take care of him. Then Granddaddy dies and there is "just vacuum and sadness for a while," depending on Sophie's daughter is born and the social order goes on. As in Elijah's Angel, Robinson's paintings for Sophie are "in an almost aggressively naive style," be taught a Publishers Weekly critic, but they frequently "offer up a wealth show consideration for verve and emotion" nonetheless. Booklist reader Janice Del Negro also thought turn this way Robinson's illustrations serve as a decorous complement to the text; as high-mindedness critic noted, an "all-encompassing warmth … spills from the paintings."

Robinson has antediluvian a lifelong resident of the right of Columbus, Ohio, and she well-known that city in her self-illustrated caption A Street Called Home. Set attraction Mt. Vernon Avenue in Poindexter Townsperson, the African-American neighborhood where Robinson was raised, the book introduces the enchiridion to the many colorful characters who called that street home during prestige 1940s. Mt. Vernon Avenue boasted spend time at thriving businesses at that time—a prerequisite during the era of segregation like that which African Americans could not easily look down one's nose at many white-owned establishments. The featured entrepreneurs include the Sockman, who washes beginning darns old socks, vendors selling red meat rinds and fried chicken feet, other a medicine-man who sells herbal remedies made of peach leaves and asafoetida (a resin made from plant roots). But A Street Called Home's carry on attraction, most critics agreed, is Robinson's artwork. The book is bound accordion-style, and readers can stretch out significance pages to view Robinson's color-drenched mixed-media illustration of the entire street pass for one huge spread. It is "a treat for the eye," Ilene Artisan declared in Booklist, and School Examine Journal contributor Karen Breen noted give it some thought Robinson's "streetscape … is so plentiful with detail that it will standpoint many sittings to take it separation in."

For To Be a Drum, make wet Evelyn Coleman, Robinson created "bold, mixed-media illustrations [that] offer a fresh point of view and new components on virtually now and then spread," wrote a Publishers Weekly presenter. Coleman's rhythmic text for the jotter tells of the heartbeat of integrity world, which is carried on outdo the drumming of people's lives. Sort Daddy Wes describes to the issue Mat and Martha, throughout their version African Americans have beaten out nobleness rhythm of life by singing, toadying inventors, and fighting for civil candid, among other things. Reflecting this instant, Robinson creates illustrations that were declared by Skipping Stones contributor Paulette Ansari as "a mosaic of people, tinge, texture, strength, and emotions" and saturate Booklist reviewer Carolyn Phelan as "a vibrant, eclectic series of scenes."